The show could also be called "The Sea is Trieste" given how indissoluble and dependent the two realities are. A show conceived and born to gather, in the space of an hour, the meaning given to it by the locals, the characters linked economically, professionally and sportingly to this dualism but above all the interpretation through poets, and writers who in their words wanted to express the essence of a city accustomed to breathing and living within the embrace of its sea. Text by Stefano Dongetti, with the collaboration of Lino Marrazzo, directed by Lino Marrazzo, with Ariella Reggio, Alessandro Mizzi, Ilija Ota, music Enza De Rose, Ilija Ota, videomaker Mario Bobbio. Pre-sale at the Miela theater ticket office (tel. 0403477672) from Monday to Friday from 5pm to 7pm or on the www.vivaticket.com circuit. In case of bad weather the show will be held at the Miela theatre.

It is not the classic tourist refuge, it does not stand out because of it's sandy beaches and idyllic atmosphere and nor can it be said to be a silent and peaceful oasis, but it is something more. For the people of Trieste it is a place where spectacular sunsets reveal themselves, where you can you dive near the rugged peninsula of white rock where the Miramare Castle dominates, overlooking the sea with the Karst behind you, and you can then enjoy the shade of the trees, or in one word... Topolini! But what is it that makes this peculiar beach unique and fascinating? The people who populate it: the people of Trieste. Observed by a foreigner with his stereotypes, the elderly people of Trieste are now seen in a different light. By and with Luigi Orsini, Bonawentura production - Teatro Miela. Pre-sale at the Miela Theater ticket office (tel. 0403477672) from Monday on Friday from 5.00 pm to 7.00 pm or on the www.vivaticket.com circuit. In case of bad weather the show will be held at the Miela Theater on Sunday 16 June.

In his new comical monologue, which for the first time combines stand-up and sit-down comedy, Stefano Dongetti tackles contemporary and current themes, without forgetting the past also and paying great attention to what could happen in the future. Listening to him and laughing from time to time, the audience agrees to the use of technical cookies, including third-party cookies, necessary for its execution. Consent to the geolocation service will allow for the experience of returning home with your choices and preferences. 
By and with Stefano Dongetti, produced by Bonawentura-Teatro Miela. Pre-sale at the Miela Theater ticket office (tel. 0403477672) from Monday on Friday from 5.00 pm to 7.00 pm or on the www.vivaticket.com circuit. In case of bad weather the show will be held at the Miela Theater on Tuesday June 11th.

An hour of more or less serious and deep reflections on current and disturbing topics; such as menopause, OnlyFans, rave parties, ancient and modern classic dramas, relationship with social media, climate, nature, dogs, soft drugs, horror movies and so on and so forth. He who knows more, can tell more. A show written, acted and sung by the spotless polymorphic and bizarre genius of Laura Bussani and her multiple personalities, accompanied by the amazing accordion of the eclectic and charismatic maestro Stefano Bembi. The duo will brighten the evening of relatively serious topics drawing from their daring imagination. An evening of discovery for all. With Laura Bussani and Stefano Bembi, directed by Ivan Zerbinati, produced by Bonawentura - Teatro Miela. Pre-sale at the Miela Theater ticket office (tel. 0403477672) from Monday on Friday from 5.00 pm to 7.00 pm or on the www.vivaticket.com circuit. In case of bad weather the show will be held at the Miela Theater.

Agamemnon is one of the most interesting and constantly reviewed texts of the Greek tragic heritage. The eternal weight of responsibilities for leaders, the conflict between public roles and affections, the complex relationship between the feminine and the masculine universe make Agamemnon a masterpiece. The music is all originally composed by a high school student.

He who is capable of telling stories has the power to rule the world. Satirical operas are extravagant creations that arise from various and diverse inspirations. The language is incorrect, varied, full of distortions, strange words and suggestions, but easily understandable for everyone.
Pre-sale on the circuit www.vivaticket.it, reservations biglietteria@hangarteatri.it

Seven artists from seven various disciplines converse with James Joyce via artificial intelligence. What can this author's multifaceted work tell us today about a world that views food as a source of profit and dilutes romantic relationships into a discontinuous spectrum? What are our points of reference today, or rather: do reference points exist? Initiating from research on novels, archival sources and private letters, the artists have tried to offer an answer (or raise other doubts) using the latest artificial intelligence software. The return of the journey committed to the ERASMUS + ARTICREA project and dedicated to artificial intelligence is follwed by six artists from six different disciplines: theatre, music, dance, visual arts, video and literature.

 

Siamo tutti Leopold Bloom; traditi e traditori, elevati e triviali, doloranti e indolenti. Questo reading di Matteo Verdiani e dei ragazzi di Hope Spot riporta alla contemporaneità i temi trattati da Joyce, come la voracità e il disgusto, in chiave di tormentato dialogo interno. Gli Hope Spot sono la nuova compagnia di teatro formata in seno al servizio di ASUITS Androna Giovani, altro storico partner del festival: Daniel Zeaiter, Djeddu Zule, Chiara Radivo, Nicolas Drozina, Jade Porcelluzzi, Vittoria Berton, con la partecipazione straordinaria di Joel Ambrosino A.K.A Jay Rah e Gigliola Bagatin. Appuntamento in collaborazione con ALT associazione cittadini e familiari per la prevenzione e il contrasto alle dipendenze.

Teatro Incontro - La Calzolaia Prodigiosa di F. Garcia Lorca

Adattamento drammaturgico dell'ottavo episodio di Ulisse realizzato e diretto da Laura Pelaschiar e Paolo Quazzolo (Università degli Studi di Trieste), con protagonisti gli attori del Teatro Stabile del Friuli Venezia Giulia Emanuele Fortunati, Ester Galazzi e Riccardo Maranzana, affiancati da alcuni studenti dell'Università e alcuni allievi-attori dell'Associazione Culturale StarTS Lab. La Sala Bartoli, in questa occasione, diventa Dublino con le sue strade affollate. Si aprono le porte del nauseante ristorante Burton e quelle del più accogliente Pub di Davy Byrne, dove si possono gustare saporite tartine al gorgonzola.

Il Teatro InteressHante di Oltre quella Sedia vuole essere uno stimolo di interesse creando ponti emotivi - la lettera H simboleggia proprio questo ponte che partirà dall'attore e arriverà allo spettatore in un viaggio di anime semplici.

Adattamento drammaturgico dell'ottavo episodio di Ulisse realizzato e diretto da Laura Pelaschiar e Paolo Quazzolo (Università degli Studi di Trieste), con protagonisti gli attori del Teatro Stabile del Friuli Venezia Giulia Emanuele Fortunati, Ester Galazzi e Riccardo Maranzana, affiancati da alcuni studenti dell'Università e alcuni allievi-attori dell'Associazione Culturale StarTS Lab. La Sala Bartoli, in questa occasione, diventa Dublino con le sue strade affollate. Si aprono le porte del nauseante ristorante Burton e quelle del più accogliente Pub di Davy Byrne, dove si possono gustare saporite tartine al gorgonzola.

Alone with her phone, barbiturates and champagne, Marilyn reflects on herself, talks about herself, gets angry, laughs, cries,and records this type of session as an integral part of her therapy by turning to her psychiatrist. Tickets for the shows can be purchased at the Ticket Point of the Rossoni gallery, Corso Italia 9, Trieste or on the biglietteria.ticketpoint-trieste.it website, or at the entrance on the evening of the show, subject to available seats.

Atmosfere letterarie - Cosa può accadere ad una persona anziana quando si sente attratta da una giovane donna? Fabio Favretto lo racconta in questa lettura scenica ispirandosi a opere minori di Italo Svevo in cui il tema della vecchiaia è trattato con una sensibilità e acutezza psicologica che lo rende ancora attuale. Se l'ambientazione rimane fedele al tempo degli originali, gli inizi del Novecento, ed il linguaggio di conseguenza, quanto accade al protagonista, il comandante Valencich è una realtà anche di oggi, pur in situazioni e tempi mutati. Il testo "La gioventù non torna"si avvale delle voci a leggio di Laura Loi, Peter Puschel, Fabio Sciancalepore e Manuela Stock Atmosfere letterarie - Cosa può accadere ad una persona anziana quando si sente attratta da una giovane donna? Fabio Favretto lo racconta in questa lettura scenica ispirandosi a opere minori di Italo Svevo in cui il tema della vecchiaia è trattato con una sensibilità e acutezza psicologica che lo rende ancora attuale. Se l'ambientazione rimane fedele al tempo degli originali, gli inizi del Novecento, ed il linguaggio di conseguenza, quanto accade al protagonista, il comandante Valencich è una realtà anche di oggi, pur in situazioni e tempi mutati. Il testo "La gioventù non torna"si avvale delle voci a leggio di Laura Loi, Peter Puschel, Fabio Sciancalepore e Manuela Stock Atmosfere letterarie - Cosa può accadere ad una persona anziana quando si sente attratta da una giovane donna? Fabio Favretto lo racconta in questa lettura scenica ispirandosi a opere minori di Italo Svevo in cui il tema della vecchiaia è trattato con una sensibilità e acutezza psicologica che lo rende ancora attuale. Se l'ambientazione rimane fedele al tempo degli originali, gli inizi del Novecento, ed il linguaggio di conseguenza, quanto accade al protagonista, il comandante Valencich è una realtà anche di oggi, pur in situazioni e tempi mutati. Il testo "La gioventù non torna"si avvale delle voci a leggio di Laura Loi, Peter Puschel, Fabio Sciancalepore e Manuela Stock

Pietre nere scarnifica e centrifuga la nostra idea di casa. Pietre nere è casa in tutte le sue infinite declinazioni. Casa è il nostro corpo. Sono i nostri vestiti. È la persona amata. È un affetto. Una città, un quartiere. Casa è il luogo in cui siamo cresciuti. Casa è un oggetto, una foto, una lettera, un profilo su un social network. Uno spettacolo di Babilonia Teatri di Enrico Castellani e Valeria Raimondi con la collaborazione artistica di Francesco Alberici, con Francesco Alberici, Enrico Castellani e Valeria Raimondi e con Orlando Castellani, direzione tecnica Luca Scotton, produzione Babilonia Teatri e La Corte Ospitale. Spettacolo realizzato in collaborazione tra FESTIL e Teatro Stabile del Friuli Venezia Giulia. 

On the anniversary of Frank Kafka's death, "The Metamorphosis" is staged in the form of a reading: an evocative representation which, through visual, sound and musical suggestions, enhances its visionary, lucid and realist content. Tickets for the shows can be purchased at the Ticket Point of the Rossoni gallery, Corso Italia 9, Trieste or on the biglietteria.ticketpoint-trieste.it website, or at the entrance on the evening of the show, subject to available seats.

A competition of Stand-up comedy dedicated to young people under the agoe of 36 . Six competitors will compete on stage with humor and irony. A jury of experts, supported by the public present, will be called to vote and decide the winner of the evening. Tickets for the shows can be purchased at the Ticket Point of the Rossoni gallery, Corso Italia 9, Trieste or on the biglietteria.ticketpoint-trieste.it website, or at the entrance on the evening of the show, subject to available seats.

The show could also be called "The sea is Trieste" given how durable and dependent the two realities are. A show conceived and born to gather, in the space of an hour, the meaning which gives the local people, the characters linked economically, professionally and sportingly to this dualism but above all the interpretation through poets, writers who in their words wanted to express the essence of a city accustomed to breathing and living within the embrace of its sea. Text by Stefano Dongetti, with the collaboration of Lino Marrazzo, directed by Lino Marrazzo, with Ariella Reggio, Alessandro Mizzi, Ilija Ota, music Enza De Rose, Ilija Ota, videomaker Mario Bobbio. Pre-sale at the Miela theater ticket office (tel. 0403477672) from Monday to Friday from 5pm to 7pm or on the www.vivaticket.com circuit. In case of bad weather the show will be held at the Miela theatre.

Ticket information and reservations: Teatro Bobbio 040 948471 / 040 3498276; Pre-sale: website www.contrada.it; app. Contrada; www.vivaticket.com; TicketPoint 040 3498276.

Ticket information and reservations: Teatro Bobbio 040 948471 / 040 3498276; Pre-sale: website www.contrada.it; app. Contrada; www.vivaticket.com; TicketPoint 040 3498276.

But do you remember when there was .....", "Ah, no, we no longer speak the dialect of the past...", "Well, times have changed...". How many times do we hear people say this? ? Or maybe we are the ones who think and say it? Girls and Boys– Carpinteri and Faraguna 100 is a dive into that past that everyone talks about, that presumed golden age when Defonta was there. Through the writings of Lino Carpinteri and Mariano Faraguna we relook the past 100 years. Accompanying us on this journey is Ariella Reggio who - like the grandfather protagonist of the famous volume of when we were boys- relates the world of yesterday to some young people on stage, creating a meeting and confrontation between generations, as happens between parents and children, between grandparents and grandchildren.
Ticket information and reservations: Teatro Bobbio 040 948471 / 040 3498276; Pre-sale: website www.contrada.it; app. Contrada; www.vivaticket.com; TicketPoint 040 3498276.

An Audiovisual cultural evening: listening to the radio version of the comedy of A Midsummer Night's Dream by William Shakespeare in Slovenian (Sen kresne noči), with a video-pictorial performance by sandartist Gabriella Compagnone.

Gli Omini esplorano il rione di Borgo San Sergio per una settimana, ascoltano i suoi abitanti e si lasciano ispirare dalla vita di quartiere per creare uno spettacolo. Così che il pubblico rimanga di fronte a sé stesso, a guardarsi da fuori.

Uno spettacolo lieve e toccante intorno al più grande tabù della nostra cultura. In scena Serena Balivo, già Premio Ubu come migliore attrice under 35 e Premio Ivo Chiesa, dà corpo e voce a una donna non più giovane che ogni domenica va a pranzo dai suoi genitori ultranovantenni, veri protagonisti del delicato e umoristico testo di Mariano Dammacco, già Premio Ubu come migliore novità drammaturgica per Spezzato è il cuore della bellezza. Con Serena Balivo, ideazione, drammaturgia e regia Mariano Dammacco, produzione Compagnia Diaghilev. Spettacolo realizzato in collaborazione tra FESTIL e Teatro Stabile del Friuli Venezia Giulia.

Atmosfere letterarie - Davide Destradi, Nicoletta Destradi, il Piccolo Martin Jogan e il cane Whisky. Porteranno in scena tre storie emozionanti, che vedranno come protagonisti un padre separato alle prese con divertenti esperienze amorose e un figlio da riconquistare grazie anche all' aiuto della nonna con i suoi ricordi di Trieste sotto i bombardamenti del 1944.

I più bei racconti di Stefano Benni tratti da "bar sport" e da "il bar sotto il mare". Un tripudio di personaggi meravigliosi, divertenti, folli e poetici prendono vita grazie alla passione e alla maestria di Andrea Lupo. Il risultato è assicurato: divertimento e puro incantamento.

A show created to collect the interpretation through poets and writers who in their words wanted to express the essence of a city accustomed to breathing and living through the embrace of its sea. Reservations: Slovensko stalno gledališče / Teatro Stabile Sloveno tel. 040.2452616 (tor-pet / Tue-Fri 10am-2pm); ticket presales: www.vivaticket.com. In case of bad weather the show will be held on July 2 at the Teatro Stabile Sloveno.

Teatro Incontro - Due Partite di Cristina Comencini, adattamento, regia e messa in scena a cura di Sara Zanni e Paolo Saitta.

The original project by the Trieste actress and director Patrizia Jurinčič Finžgar explores the archetype of the relationship between man and nature and the meaning of the ritual, while at the same time weaving links with the coastal territory and its sea. Reservations: Slovensko stalno gledališče / Teatro Stabile Sloveno tel. 040.2452616 (tor-pet / Tue-Fri 10am-2pm); ticket presales: www.vivaticket.com.

Un pellegrinaggio in controtempo, tra terra, mare e miniere, che affronta il problema della salvaguardia ambientale e della riconversione dei luoghi per creare sinergie tra gli universi dell'arte, della cultura, della ricerca scientifica, dell'economia.

Una scrittura in bilico tra prosa, versi e musica. Mario Perrotta così descrive lo spettacolo: "Indago le opere di Calvino e, intanto, ho in mente una parola fragile: libertà. Come una specie di vertigine. Il Nano, Calvino, la libertà è un omaggio personalissimo a un autore che ha saputo modellare, e fortemente, la mia visione delle cose del mondo. Una riflessione sulla libertà." Scritto, diretto e interpretato da Mario Perrotta, mashup e musiche originali Marco Mantovani e Mario Perrotta, produzione Permar Compagnia Mario Perrotta e Emilia Romagna Teatro ERT / Teatro Nazionale. Spettacolo realizzato in collaborazione tra FESTIL e Teatro Stabile del Friuli Venezia Giulia

Momenti di incontro e scambio che vedono i volontari farsi parte dell'opera d'arte, mettendo il proprio tempo a disposizione per la trascrizione delle lettere dei pazienti degli ex ospedali psichiatrici di Trieste e Gorizia, che raggiungeranno così nuovi destinatari.

Momenti di incontro e scambio che vedono i volontari farsi parte dell'opera d'arte, mettendo il proprio tempo a disposizione per la trascrizione delle lettere dei pazienti degli ex ospedali psichiatrici di Trieste e Gorizia, che raggiungeranno così nuovi destinatari.

The čevapčiči (a culinary dish) unites a large part of the Balkan and Mediterranean people. Instead of arguing about birthrights and our differences, it is better to focus on what we have in common, and in this case it is the culinary culture. This is multilingual monologueby a comedian, also with recorded voices. 
Reservations: Slovensko stalno gledališče / Teatro Stabile Sloveno tel. 040.2452616 (tor-pet / Tue-Fri 10am-2pm); ticket presales: www.vivaticket.com.

The čevapčiči (a culinary dish) unites a large part of the Balkan and Mediterranean people. Instead of arguing about birthrights and our differences, it is better to focus on what we have in common, and in this case it is the culinary culture. This is multilingual monologueby a comedian, also with recorded voices. 
Reservations: Slovensko stalno gledališče / Teatro Stabile Sloveno tel. 040.2452616 (tor-pet / Tue-Fri 10am-2pm); ticket presales: www.vivaticket.com.

On stage, Niccolò and Lorenzo talk about their respective bosses: Niccolò and Lorenzo. But Niccolò and Lorenzo's respective bosses are also on stage: Niccolò and Lorenzo, who talk about Niccolò and Lorenzo. A conversation about work, about vocation, about money, about capitalism, about life time and work time, about lunches with oneself, about desperation. Show by and with Lorenzo Maragoni and Niccolò Fettarappa, Carrozzerie production residence | n.o.t, production La Corte Ospitale with the support of MiC, Emilia-Romagna Region, Ferrara Off APS, special mention Forever Young 2021/2022 - La Corte Ospitale.

Performances of dance and music.

Pièce by Giovanni Scifoni who dedicates one of his works, with particular characteristics of lightness and disclosure, to Saint Francis.

An improvised show built with books brought by the public. The career of an imaginary author staged in a hilarious way by GianTeatro, a Florentine group composed of Andrea Mitri, Gila Manetti and Alfredo Cavazzoni.

Digital memory scenic readings - A journalist who increasingly acts and feels more mechanistic, divides his time between work - performed from home and via GPT Chat - and the Metaverse. A young artist decides to react to a robotic performance created by artificial intelligence. Around them is a world of violence, real and virtual, of solitude, of control and In which, whoever stays, remains petrified. Show by Denise Diaz Montalvo, stage reading by Federico Bellini with Ksenija Martinović and Mirko Soldano, Tinaos production.

Digital memory scenic readings - Wally and Luna are two teenagers who keep themselves at a safe distance from the rest of the world. At their first meeting they decide to play a game in which Luna ends up finding a knife stuck in the middle of her chest. Despite this, the girl will return to continue playing with her new friend, little by little building a friendship destined to break under the weight of a reality that slowly reveals its mechanisms. At the same time, an elderly computer scientist, owner of a massive technology company called Antropico, answers for the first time after years of silence to a holographic journalist's questions about the creation of his digital empire. Show by Gabriele Paupini, stage reading and musical selection by Tommaso Tuzzoli with Zoe Pernici, Mirko Soldano and Aida Talliente, sounds by Aida Talliente Child psychology and "Hope there's someone" performed by Giorgio Pacorig, Tinaos production.

Playback Theater - The memories that the public wishes to relate about the San Giacomo district will be collected and will be staged through music, movement and theatrical improvisation. An evening dedicated to memories and art that together recreate the community.

Stage readings - "For life" is part of a trilogy that investigates the theme of freedom in three declinations: a freedom that does not question itself about the consequences of one's actions; a freedom that touches on the theme of responsibility; and, here, in For life, a "rejected" freedom, denied to oneself. On stage, a woman, alone, seems to obey the will of a mother who "for good reasons" has relegated her to her room, making her feel terrified and disgusted by life, imprisoned in affirmations, rules, limits. Yet, it is precisely in that prison that she finds freedom. Show by Francesca Garolla, stage reading by and with Aida Talliente, Tinaos production.

Stage readings - He and she are talking about what is happening in the part of the land where they have always lived; they are talking about the invasions. The sound of a bell awakens them, distracts them; perhaps it scares them. But it's just a guy, a man; he's just a stranger who recently moved there, who asks for some sugar. He just asks for some sugar for his coffee. This banal and ordinary request, however, triggers a mechanism from which it is very difficult to go back. Show by Fabio Pisano, stage reading by Federico Bellini with Jonathan Lazzini, Zoe Pernici and Mirko Soldano, Tinaos production.

"Punto di fusione" racconta la storia (e la chiusura) della Ferriera di Trieste, fulcro centenario di un quartiere e della città. Tra teatro civile e di inchiesta, un viaggio nel passato per capire il nostro presente.

Beta Verso è una giovane ed energica compagnia di stand-up comedy, attiva da un anno e composta da un gruppo di talentuosi comici uniti dalla passione per il sorriso e l'ilarità.

J. Robert Oppenheimer di Giuseppe Mussardo, adattamento teatrale di Gioia Battista, prodotto da Caraboa Teatro con il contributo del Laboratorio Interdisciplinare della SISSA. Apertura biglietteria ore 20.30.

In this drama, called "the Scottish tragedy" by actors due to the superstitions that accompany it, a magical world is evoked bordering fantasy, horror and black comedy. The story of the madness and loneliness of a man, who has a premonition that sounds like an anathema, and his shameful journey towards reaching the throne; and ends with his solitary fight against the curse of magic which blinded him instead of enlightening him. With Davide Lorenzo Palla, Maria Luisa Zaltron, live musical accompaniment by Roberto Dibitonto, music by Tiziano Cannas Aghedu, directed by Riccardo Mallus, production TDB Impresa Sociale.

A man on stage: he looks like an illegal parking attendant, a street vendor... a sentry or a supporter... he doesn't say anything about himself, but he talks about those 57 days that divided the Capaci massacre from that of Via D'Amelio... from a unprecedented point of view, that of the people of Palermo. No news, no investigation, no interpretation of the two Judges... But the poetic story of the impact that those 2 bombs had on ordinary lives... from the kids from the suburbs, to Palermo which tried to react. Show by Beatrice Monroy, performed and directed by Giuseppe Provinzano, lighting by Gabriele Gugliara, scenic solutions by Valentina Greco, videomapping Pixel Shapes, sound dramaturgy by Sergio Beercock, Babel production. With the support of the Giovanni Falcone Foundation and in collaboration with Spazio Franco.

La tourneè estiva dei Crampi Elisi anche quest'anno si snoda tra personaggi del cabaret di Domace e brani musicali composti per l'occasione. Un teatro sotto le stelle che permetterà al trio di portare in scena tanti personaggi e scenette inedite. Con Maxino, Flavio Furian ed Elisa Bombacigno.

Rita Levi-Montalcini, Maria Bakunin, Maria Goeppert-Mayer, Rosalind Franklin, Margherita Hack: sono alcune delle donne che hanno svolto un ruolo pionieristico nella scienza del XX secolo. In questo spettacolo-lettura vi guideremo in un viaggio emozionante nelle loro vite, alla scoperta del loro straordinario talento. In un'epoca in cui l'inclusività e la parità di genere erano concetti sconosciuti, queste scienziate, coraggiose e appassionate, hanno sfidato le convenzioni sociali per realizzare le proprie ambizioni scientifiche con professionalità e tenacia.

A personal story that with lightness and irony accompanies us to discover the world of juvenile justice in Sicily. A test marked by mistakes, but also by unexpected joys that open up the space of the possible in life paths that are not yet paved. A show by Angelo Campolo and Giulia Drogo with Angelo Campolo, Giorgia Pietribiasi and with Antonio Previti, sets and costumes Giulia Drogo, live music by Giorgia Pietribiasi. Production by DAF Project.

1982, Trieste. A hospital room, a nurse next to the bed of an elderly lady. No one can stand her for more than a few minutes, she has a cumbersome past, and a famous name: Anita Pittoni, Pittoni, as everyone calls her. Dramaturgy and direction by Gioia Battista, with Giustina Testa. The voice of Anita Pittoni is by Ariella Reggio, sound dramaturgy and images by Nicola Ciaffoni. A Caraboa Teatro production.

The original project by the Trieste actress and director Patrizia Jurinčič Finžgar explores the archetype of the relationship between man and nature and the meaning of the ritual, while at the same time weaving links with the coastal territory and, in a special way, the sea.

La tourneè estiva dei Crampi Elisi anche quest'anno si snoda tra personaggi del cabaret di Domace e brani musicali composti per l'occasione. Un teatro sotto le stelle che permetterà al trio di portare in scena tanti personaggi e scenette inedite. Con Maxino, Flavio Furian ed Elisa Bombacigno.

Teatro Leggio - The double life of Maximilian of Habsburg between history and legend by Elisabetta Rigotti. An unpublished theatrical single act taken from the book "The Shadow of Evil on Miramar", including readings at the lectern.

When in your life, which you now think is destroyed, you meet a gang of strange people, everything changes, from one moment to the next! With great humor the characters will enter a spiral of increasingly incredible situations. All is not as it seems, until the surprising twist at the end! Show by the Compagnia de L'Armonia Aps, a comedy based on Pietro Doria Grasso, adapted into Trieste dialect by Monica Parmegiani, directed by Riccardo Fortuna

Trieste, autumn of '67, in a courtyard like many others. Lucia, the concierge, a single mother, finds herself judged every day by the women of the building. Fed up, she decides to silence them by confessing that she had her son from one of the men who live there. Thus begins the desperate and obsessive search for the culprit... Show by the Compagnia Tutto fa Broduei Aps, a musical comedy based on "The Yellow Rose" by Camillo Vittici, adapted into Trieste dialect and directed by Stefano Volo & Valentina Bruni.

Il ritorno di Ulisse in Patria affronta la storia delle storie: quell'Odissea che continua a parlarci e a rappresentarci attraverso le gesta dei suoi protagonisti e attraverso le riscritture dei poeti di ogni epoca.

The show depicts, with tragicomic features, the peasant world in its most archaic aspects, but with flashes of imagination and pranks to unsettle the preamble. The protagonist stands out for his originality: the rude Rocco Barbati, a convinced atheist, a bachelor, and independent in his opinions and behavior. Rocco lives with his sister Francesca, who is extremely religious... An inheritance, a farm, luck, bad luck... and a mysterious box full of gold coins. And as with any self-respecting farce, the adventure begins here... Show by the Compagnia Teatro Veneto "Città di Este" of Padua, a brilliant comedy in three acts by Peppino De Filippo, the Venetian version of the Company, directed by Viviana Larcati.

Campo della Parrocchia di Melara, Via Carlo Forlanini.
Arthur, un vagabondo surreale e stralunato, crea dal nulla un vero e proprio street food. Tra ricette impossibili, oggetti che prendono vita e padelle fumanti, ci porta in un viaggio straordinario in cui la realtà si piega e si deforma davanti ai nostri occhi.

A holiday home, a husband who organizes mysterious meetings without his wife's knowledge. It would seem like a case of marital betrayal, but, this time, it won't be his wife who will be betrayed but... his mother! Furthermore, our protagonist will have to desperately try to get by, while a series of bizarre characters will make his life very difficult. Show by the Compagnia dei Giovani Aps, a funny comedy based on "Twist" by Clive Exton, adapted into Trieste dialect by Agostino Tommasi, directed by Julian Sgherla.

An evening to celebrate,with verses and music, the birthday of Emperor Franz Joseph. Tickets available at Ticket Point ticket offices, online Vivaticket, and one hour before the show.

Dialect poetry - Poets' Lounge. The poets will alternate in presenting the interpretation of their texts with musical arrangments of ancient music.

A controversial but unforgettable figure, Elizabeth II inspired artists such as Warhol and the Sex Pistols. The writer Alan Bennet imagines her as a passionate reader in 'The Sovereign Reader', a comedy in which books transform her.
Diana Höbel will be the voice, with Stefano Mastronuzzi on guitar.

Lo spettacolo parte da una suggestione nata dal capolavoro letterario del premio Nobel Ivo Andrić, Il ponte sulla Drina, per attualizzarsi in un percorso in cui suoni, narrazioni e immagini si intrecciano nel raccontare l'importanza dei ponti contrapponendola all'idiozia dei muri. Spettacolo di e con Angelo Floramo, illustrazioni di Aleksandar Zograf, musiche eseguite dal vivo dal gruppo Fior delle Bolge, disegno luci di Mau Willy Tell, produzione Tinaos.

Siamo tutti Leopold Bloom; traditi e traditori, elevati e triviali, doloranti e indolenti. Questo reading riporta ai giorni nostri i temi trattati nel capitolo, quali la voracità e il disgusto in una chiave riflessiva, come fosse un tormentato dialogo interno.

First stage performance of "Il litterato Vincenzo", the only theatrical text by Umberto Saba. The drama, little known despite the author's fame, talks about a betrayed marital love: the protagonist, an established writer, has left his wife and daughter to live with another woman; a life choice that cannot be accepted without embarrassment in an early twentieth century Trieste. Saba explores the humanity of his characters with great mastery through the lens of Freudian psychoanalysis by Raffaele Sincovich. With Sara Cechet Woodcock, Francesco Tribuzio and Silvano Scochet. Music by Alessandro Mandarini.

Improvvisazione, spontaneità, attualità, dialogo con il pubblico, ma anche esercizio e studio di diversi generi teatrali, saranno la base di questo spettacolo-happening capace di creare di volta in volta nuove situazioni, gag, quadri e personaggi. Con Paolo Rossi.

It recounts the female emancipation of Trieste from the early 1900s to today, women protagonists of the Trieste culture, but also commoners of the past such as the figure of the venderigola and the Sessolota. Presented by and with Michela Vitali. On keyboards, Bruno Jurcev, also curator of the selection of musical pieces. Tickets are on sale at the Ticketpoint Box Office in Galleria Rossoni, in Corso Italia in Trieste and on site one hour before the event.
Online at biglietteria.ticketpoint-trieste.it

A performance of Act Five of the inimitable life of Gabriele D'Annunzio, written and directed by Raffaele Sincovich, with Sara Cechet Woodcock and Raffaele Sincovich, music by Alessandro Mandarini and drawings by Andrea Tich. The title is inspired by the words written by Eleonora Duse in the correspondence between her and the Pope. Presented in collaboration with the Dedalo APS Cultural Association of Trieste as the implementer of the entire event.

Literary atmospheres - Fabio Vigini and Paolo Bonetti will entertain us with the amusing adventures of aunt Mariucia, a pensioner from Gropada, who with her friends Cvetka and Valerijana gets up to all sorts of things! Strictly in Trieste dialect.

Penelope, committed to a psychiatric clinic, waits every night for Him to come and get her. But the bitter truth will be different, bringing it to a turning point. Written by Pamela Gotti "The Wait" won the XIX Enzo Biagi Rai Radiotelevisione Italiana Award.

Two women meet on a summe's night while hitchhiking. Both on the run, one from a life as a repressed housewife, the other from a retirement home. After the initial clashes, a friendship will be born that will bring them new hope for the future.

Through an immersion in his personal experiences, from his early influences to his professional training, the show reveals the path that led Basaglia to become an icon for the fight of human rights of the mentally ill. The show aims to tell the story of the man, Basaglia, who was a father and husband, before being a doctor, and through his daily life we ​​will relive the birth of that ideal which later became the battle for rights. At a time when the fight for the rights and dignity of people with mental health issues continues, "I'll Give You a Rose... The War for Freedom" offers a space to reflect on the past, honor the present and inspire the future.

The show stars Eleonora Duse, considered to be the greatest modern actress, whose originality, talent and uniqueness have in fact, made her a timeless icon. Duse's dramaturgy investigates above all, the journey of the female actress involved in social issues. Alongside the women and the provocative, profound activist and tireless dreamer,the staged live music will depict throught time, the human and aritistic pathe of the great Diva. The reproduction of some of her original costumes will enrich the piece. Eleonora Duse, by and with, Isabel Russinova. Live music by Andy Zeka. Directed by Rodolfo Martinello Carraresi.